Theosophists engage in analysis of the universe, humanity, divinity, and the reciprocal effects of each on the other. The starting point for theosophists may be knowledge of external things in the world or inner experiences and the aim of the theosophist is to discover deeper meanings in the natural or divine realm.
Antoine Faivre notes, “the theosophist dedicates his energy to inventing (in the word’s original sense of ‘discovering’) the articulation of all things visible and invisible, by examining both divinity and nature in the smallest detail.” The knowledge that is acquired through meditation is believed to change the being of the meditator.
Antoine Faivre–Faivre was the first to define Western esotericism as a field of interdisciplinary academic study– successfully created a taxonomy approach as a means to comparing the various traditions. He proceeded by taking the concordance of neoplatonism, Hermeticism, Kaballah, astrology, alchemy, magic etc. and deduced six fundamental characteristics of esoteric spirituality.
He claimed to have discovered that the first four characteristics of esotericism are always present, while the latter two are sometimes present. Along with these six characteristics of esotericism, he identified three characteristics of theosophy.
Correspondence: Everything in Nature is a sign. The signs of Nature can be read. The microcosm and macrocosm interplay. Synchronicity exists, and can be found as signs from Nature and may lead to the understanding of the divine.
Nature is Alive: It is not just correlations between pieces of matter. It is a living entity that will, and does, surge and evolve through its expanding self, replete with dynamic flows of energy and light.
Imagination and mediations: Imaginations as a power that provides access to worlds and levels of reality intermediary between the material world and the divine.
Experience of Transmutation: The Gnosis and illuminations of self and mind performing a transmutation of consciousness. The birth of an awareness, a second new life becomes born.
Practice of Concordance: Primordial Tradition. Studying traditions, religions etc. seeking the common one Root from which all esoteric knowledge grows.
Transmission: Master-Disciple, master-Initiate, initiation into the Occult.
The three characteristics of theosophy are listed below.
Divine/Human/Nature Triangle: The inspired analysis which circles through these three angles. The intradivine within; the origin, death and placement of the human relating to Divinity and Nature; Nature as alive, the external, intellectual and material. All three complex correlations synthesize via the intellect and imaginative processes of Mind.
Primacy of the Mythic: The creative Imagination, an external world of and the myriad, along with image, all as a universal reality for the interplay conjoined by creative mind.
Access to Supreme Worlds: The awakening within, inherently possessing the faculty to directly connect to the Divine world(s). The existence of a special human ability to create this connection. The ability to connect and explore all levels of reality; co-penetrate the human with the divine; to bond to all reality and experience a unique inner awakening.
The study of Theosophy is a discipline of the broader study of Esotericism. In my research for this blog post, I was fascinated by what I learned and if you are on any sort of path to enlightenment, I am sure you will find that you are somewhat of a theosophist and you didn’t even know it!
Theosophy has evolved since the term was first believed to be used circa 1450. I found that The Theosophical Society in America is still alive and well and is descendant of the original Society first founded by Helena Blavatsky in 1875. Also:
According to Wikipedia: Several organizations developed from the popularization of Blavatsky’s ideas and are considered new religious movements. Theosophical Society lodges also continue to exist in many places. Anthroposophy was founded by Rudolf Steiner (1861–1925) as a schism of the Theosophical Society.Theosophical concepts can be seen in the work of Sergei Bulgakov (1877–1945), Nikolai Berdyaev (1874–1945), Leopold Ziegler (1881–1958), Valentin Tomberg (1901–1973), Auguste-Edouard Chauvet (1885–1955), Wassily Kandinsky (1866–1944), Sarvepalli Radhakrishnan (1888–1975) and Henry Corbin (1903–1978).